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PODCAST
“ The Inside Scoop: Part 1 ”
Cyndi Greening interview with Mike Curtis

By Cyndi Greening. Phoenix, Arizona USA (Cinema Minima: 28 August 2005) -- HD and Post Producton Expert MIKE CURTIS of HD for Indies discusses a number of topics of great interest to the independent filmmaker. A frequent panelist at SXSW Film Festival in Austin, Mike offers great insight and detail on high-definition specs, film deliverables and DV/HDV cameras. This excellent podcast covers ...

• Various Flavors of HD


• Various Resolutions of HD
  
  
  
  • 720p = 1280x720
  
  
  • 1080i or 1080p = 1920x1080
  
  
  
  


• Currently, Panasonic Varicam Camera very popular 720p
  camera


• Progressive versus Interlaced
  
  
  
  • (p) = Progressive; whole frame at once, more like film
  
  
  • (i) = Interlaced; every other line, traditionally for broadcast video
    
  
  
  
  


• Early Canon XL2 and Sony DVX100A conversions from 30i
  to 24p possible but lossy


• Also, other considerations must be in place, cannot change frame rate and
  so on

As an independent filmmaker, where to begin thinking?

• Where do you want to go with this? What do you want for a deliverable?


• Sony HDR-FX1 and Sony HVR-Z1U reasonably
  priced cameras for independent filmmakers
  
  
  
  • HVR-Z1U offers better controls and better inputs (XLR
    for audio) and better post-production options like true timecode.
  
  
  • Also, HVR-Z1U records at both 50i (interlaced) PAL and 60i NTSC frames
    per second allowing for PAL interlaced recording, converted to 24 progressive
    with a slight speed change
  
  
  
  


• Comparison between higher end Sony F900 ($100,000 camera)
  and inexpensive camera; sensor, lenses, recording formats, latitude and sensivity


• Discussion about Panasonic SDX900, larger sensor, 24p,
  better light latitude, uses DVCPro50


• In Mike's opinion, the best low budget cameras:
  
  
  
  • Sony PD170, Sony PD150
  
  
  • Canon XL2
  
  
  • Panasonic DVX 100A
  
  
  
  


• HD for Indies Five
  Camera Shoot and Comments
  & Pictures


• Post Production Tools for DV and HDV
  
  
  
  • Final Cut Pro, Final Cut Express, AVID and AVID Express editing
  
  
  • AJ and Black Magic DV input cards
  
  
  • F900 camera editing challenges because of cost of converting HDCAM to
    DV
  
  
  • Challenges with FAST storage
  
  
  
  


• Right Camera, Right Editing System, Final Deliverable

©2007 Greening Productions / Angel&Wings Productions • All Rights Reserved